by Julia Kuttner
The Larnachs by Owen Marshall
The story is narrated in alternating chapters by Constance de Bathe Brandon, and Duggie, favourite son of Constance’s husband William Larnach, politician and enormously wealthy property speculator. Constance is in her mid-thirties when she meets and in 1891 marries William, twice- widowed and at 57, still full of vitality, joie de vivre and the strutting self-confidence that comes from humble beginnings and hard-won success. His ostentatious social position is epitomised by the construction of Larnach ‘Castle’, symbol of his power and standing.
Constance is also very sure of her place in society. Raised and very well- educated by her father, one of the country’s early MPs, to consider herself equal in all things, she decries womens’ inability to vote and agitates whenever she can to bring about change – but only within her own social sphere; while she feels an intermittent sympathy for ‘the lower orders’, it does not prevent her from ruling her staff with an iron hand, and she is glad to have a married woman’s influence among her contemporaries, previously denied to her as a spinster.
William’s adult children from his first marriage detest Conny; she is an interloper and thinks far too much of herself; only Duggie treats her as a friend – a friendship that eventually turns to love and a full-blown affair destined to create a scandal of catastrophic proportions and ongoing tragedy for all involved.
The literary device of having each lover narrate a chapter is clever: Mr. Marshall’s characterizations have such veracity that it is a pleasure to follow Conny and Duggie through the highs and lows of their great love; one eager to tell the world of his delight in finding his life’s partner, and the other thrilled to experience the physical and emotional love she thought would ever be denied, but fatally unwilling to give up her social status. Mr. Marshall has recreated the morals, life and times of a fledgling NZ society with consummate skill and great empathy. Highly recommended.
A Visit from the Goon Squad, by Jennifer Egan
Cold Vengeance, by Douglas Preston and Lincoln Child
And now for something completely different:
Near Misses:
The Burning Soul, by John Connolly
The tenth novel of the adventures of Charlie Parker, haunted – literally – private detective, starts as always by instilling within the reader a lowering sense of dread: a young girl has disappeared in a remote coastal town in Maine, and people are frightened: this is not the first time it has happened. No-one can set a scene like Mr. Connolly; he creates atmosphere and mood perfectly; he writes wonderful dialogue and all his characters, particularly those who have appeared in previous books are a pleasure to meet again – but this time something has gone wrong with his usual sure-fire recipe: the plot becomes so labyrinthine and unwieldy that its impetus is lost and when all is FINALLY revealed, the reader is glad to have waded through to the finish. Not one of Mr. Connolly’s bone-rattling successes, but it won’t stop me from looking forward to his next opus – with the hope that it will be back to his old high standard.
The Quiet Twin, by Dan Vyleta
Dan Vyleta’s first book ‘Pavel and I’ was a wonderful debut novel, set in Berlin at the end of the Second World War with marvelous characters and a great plot - how I wish I could similarly endorse his second effort but this time he has missed the mark, and that is a great shame as Mr. Vyleta is a talented writer; consequently it is a disappointment not to enjoy this book.
Set in Vienna at the beginning of the Second World War, the plot concerns the inhabitants of an apartment building, all examples of Hitler’s Inferior Races policy: there is a hunchbacked child, a homosexual, a gypsy, a severely catatonic woman, and a hypochondriac, not to mention various minor characters, all most unpleasant. The reader could handle all the intentional squalor if there appeared to be a point to all the dirt and depravity - starting with the early introduction of four unsolved murders and the deliberate butchering of an elderly dog - but Mr. Vyleta’s plot goes nowhere, instead becoming weighed down by Freudian slips, slaps and slops. At the novel’s end, nothing is resolved, the murders aren’t solved, and the reader is left with the uneasy thought that some of these awful characters may appear in a sequel: I hope not. A second-class novel from a first-class writer.