Saturday, 4 April 2026

 

 

 

 

The Mind of a Murderer, by Michael Wood.

And it’s sequel, The Devil’s Code.

       



  

          I am enormously proud of myself.  I have finally started a book series off at # 1 – usually I discover after several pages that I have done my usual trick of starting after several books have already been written, then having to rely on the author being kind and filling in key information – well, this series is so obliging it even has the first chapter of the next story to refresh peoples’ minds and whet their appetite for more blood and gore - and this series is awash with it, for its main protagonist is a forensic psychologist who started off life as Olivia Button, a normal little child, content in the bosom of her loving family, until she came home from school one day to find her younger sister dead in her dying mother’s arms, blood pouring everywhere and urged by her fatally stabbed mum to ‘RUN!’

            Which she does – fleeing her father, of all people, who had decided that after killing several complete strangers, it was time to dispatch his family.  And he is nearly successful with Olivia, wounding her terribly before the police overpower him.  Fortunately she survives her injuries and is lovingly cared for  by her grandparents who provide as much love and normalcy as they can as she grows up, but you don’t have to be Einstein to know that she will always want to explore, study and understand why some people kill (especially serial killers), and what they actually enjoy about it.  From her own experience she knows that familial love means nothing;  the thrill of ending someone’s life is paramount so, on the positive side and after a name change, Olivia has made a substantial career out of travelling the world and studying the deeds and minds of serial killers;  she is such an authority that her advice is sought by Police authorities everywhere, especially in London where a killer has struck again:  how she eventually unmasks him is very well plotted and, in the best tradition of all superior crime novels one never knows who the baddy is until the last possible minute.

            Book Two starts in a similar vein;  Olivia is required to go to Newcastle-on-Tyne to offer advice and suggestions to the authorities after a car was stopped on a stormy night by police;  when the car boot was opened, a body was revealed, cut into twelve pieces.  The driver will only say ‘no comment’, even as he is sentenced to life imprisonment.  A search of his house reveals documents which appear to be in code, but how to break it? 

And underlying all the mystery and worry that more remains will be found is Olivia’s father, still contacting her from prison whether she wants to hear from him or not (she doesn’t).  But he has other bodies – and murders – up his sleeve, and wants to brag about them whether she likes it or not! 

            Michael Wood has created a flawed, damaged but courageous protagonist in Olivia;  she makes mighty mistakes but great inroads, too, in outwitting her villains – and her nightmares.  FOUR STARS EACH.   


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