FIRST GREAT READS FOR JULY, 2014
Where the Rekohu Bone Sings, by Tina Makeriti
What a pleasure it was to
read this story. Ms Makeriti’s prose is
rich and powerful; it sings with utmost
poignancy of the Moriori, a peaceful people hopelessly outnumbered, subjugated
and slaughtered by a desperate, aggressive foe who came to their island, Rekohu
in 1835, themselves pursued by enemy tribes bent on their destruction. After the carnage had ceased, the dead were
eaten, the ultimate insult to a race who refused to lift its weapons to fight. Those who were considered fit enough to be
slaves were taken back to mainland New Zealand, prisoners of their contemptuous
Maori conquerors.
Iraia, born to his slave
mother some years later, has never known anything other than captivity and even
less of familial affection after his mother was drowned when he was very
small; instead he grows up like ‘a stray
puppy, a skulking dog’ on the farm of his captors in conditions little better
than the farm animals. Everyone, from Tu
the patriarch, his skylarking sons and Whaea Audrey, Tu’s God-fearing
bad-tempered sister, ignore him when they are not using him for farm
labour; they call him ‘boy’, refusing to
use his given name. Regardless, it would
never occur to Iraia to run away, to leave his miserable existence, for there
is one constant: his hopeless love for
the daughter of the family, Mere.
Beautiful, headstrong, fearless Mere, whose childhood devotion to Iraia,
her sometime minder, has blossomed into something different – and Mere, always
full of plans, hatches another: it is
time to fly the coop with Iraia! She
knows that her family would never consent to her union with a lowly slave, so
they will both have to seek a life somewhere where her family would never think
to look – and they do, arriving in 1870’s Wellington with a little money Mere
stole from her father’s purse and nothing else except excitement at their
audacity and success at evading her vengeful father, and the brimming optimism
of first love.
One hundred year later,
Tui, a descendant of Mere and Iraia and married to a Pakeha European has just
given birth to fraternal twins, a boy and a girl, Bigsy and Lula: remarkably, Lula is red-haired and pale; Bigsy has caramel skin and dark hair – who
would ever think they are related, much less twins? Their progress through their childhood and
eventual maturing to adults is intriguing, especially as they both are forced
to face their ancestry and their place in the world when their mother dies and
their father decides that she should be taken home to be buried on her
ancestral land: it’s the right thing to
do, even though she had been estranged from her family for years. It’s the right thing, the only thing, to do.
And there, on the land
where Mere and Iraia forged unbreakable bonds, Bigsy and Lula learn secrets
that their mother kept hidden all her life;
secrets that the family admitted with shame more than a hundred years
later; revelations that will draw them
both back to Rekohu, now known as the Chatham Islands to learn the origins of
their bloodstained family history.
Sadly, I felt that the
story was let down by Bigsy and Lula. As
modern representatives of their singular forebears they were less than
convincing, but Ms Makeriti succeeds brilliantly with the family
ancestors: they leapt from the page and
spoke to me of birth and death and love and war with such eloquence that I
won’t forget them, or the peace-loving Moriori from which her inspiration
sprang. This is a wonderful story that
those two-dimensional twins fail to spoil.
Highly recommended.
Prince of Fools, by Mark Lawrence
Jalan Kendeth is a prince
of Red March, a southern kingdom blessed with bountiful harvests and buxom
wenches. He is young, handsome and
blessed with boundless energy – but not for anything constructive. He freely admits to being irresponsible, (he
is hugely in debt to a sadistic moneylender) feckless, (no woman is safe from
his doubtful charms) and famously disinterested in the affairs and business of
ruling his country – which is fortunate;
he is tenth in line to his grandmother the Red Queen’s throne and as
such would never be considered for the crown.
Also, he is considered the runt of the litter of his family of older
brothers, for despite his fine height and good build he is ‘The Little
One’. They dwarf him, every one.
Well, who cares? Not him:
he’s quite happy to remain one step ahead of the moneylender (and he’s a
damn fine runner!), and to worry about consequences for any of his actions after he has acted – until he becomes
involved with a huge Norseman, a captive of his grandmother who has been freed
because he gave her vital information about a huge and frightening army
preparing to attack from the frozen Northern wastes of the Bitter Ice. Through a dreadful twist of fate – and a
ghastly spell concocted by a witch (truly!) – they are bound together by the
good and bad strands of the spell and compelled to journey North to try to stop
the advance of the Dead King and his ghastly army of corpses. Snorri ver Snagason, the Norseman, is happy to
begin the journey: his wife and children
are captives in the North and he means to rescue them. Jalan, needless to say, feels exactly the
opposite. Heading purposely towards
certain death is not on his agenda, but such is the power of the spell that he
has no choice and begins the journey with a quaking heart and loud
protestations.
Regardless of his
fears, he and Snorri travel inexorably northwards, most of the time with little
food and no money, depending more than once on ‘the kindness of strangers’,
until they reach Ancrath, home of Jorg, Prince of Thorns, who is back in favour
– however temporarily - with his father,
King Olidan. Jalan makes much of his
princely status while he can, until Olidan’s Queen tries to bribe him to kill
Jorg, but Jalan has no stomach for such a task, especially when he sees the
Prince of Thorns and is a victim of his ‘thousand yard stare’. No: it’s
time he and the Norseman resumed their journey – fast!
Once again, we are off on
a marvellous adventure through Mark Lawrence’s great fantasy of Europe after
The Big Bang, the Explosion of a Thousand Suns, the setting of his superb ‘Prince of Thorns’ trilogy. (See review below)
Jalan Kendeth’s story runs
parallel to the action in the first trilogy so he is bound to cross paths again
with the deadly Honorous Jorg Ancrath;
it will be fascinating to see if his and Norri’s travails have given him
an injection of the courage he honestly acknowledges he lacks, but by the end
of Book One our expectations are not high – instead, what is certain is that
Mark Lawrence has produced once again a fantasy of the highest order, with
characters that readers truly care about, and more action than you can shake a
stick at. There are Unborn, Undead and
Unnaturals littering every chapter, not to mention witches, bitches and seers
by the score: what more could a
dedicated fantasy reader ask for, except top quality writing and plotting. Mark Lawrence does it all. Highly recommended.
Prince of Thorns, by Mark Lawrence
You read it here
first: What an adventure! Mark Lawrence’s debut novel has all the
requisite ingredients for the ideal fantasy – a wronged and vengeful hero,
warring kingdoms, ghosts, necromancers, murders most foul, and a complete lack
of honour, except amongst thieves.
At the tender age of nine,
Prince Honorous Jorg Ancrath was forced to witness the slaughter of his mother
and younger brother William by Count Renar of the Highlands and his
troops. If he expected his father the
king to avenge their dreadful murders, he is sorely disappointed; instead, the king negotiates compensation in
the shape of land and horses for his loss.
Seeds of hatred and revenge are sown in the fertile ground of Jorg’s
grief and heartbreak: he takes to the
road and joins a band of mercenaries and outlaws, and because he no longer
cares if he lives or dies, he becomes their leader through sheer recklessness
and a bravado that is fearless and suicidal – oh, Jorg has problems, alright –
he has already lived five lifetimes and he’s only fourteen!
Mark Lawrence has created
a rip-roaring, no-holds-barred, heart-in-the-mouth pageturner in this first
book, and in spite of the reader knowing they shouldn’t believe a word of it,
they are totally sucked in, swept along with the clever plot and more action
than a body should rightly have to endure – oh, it’s great stuff, and this is
just the first book of a Trilogy. ‘King
of Thorns’ is next, and a fascinating question for the reader is to figure out
exactly the timeline in which Mr Lawrence has set his stories: a vastly altered central Europe might be the setting, but who can be sure? Everyone fights in armour with medieval
weapons, but Jorg wears a wrist-watch!
(which doesn’t make an appearance till book two) – and he lets loose
what seems suspiciously like a nuclear explosion halfway through book one. I have come to the conclusion (I’m ashamed to
say it took me a while) that Jorg’s story is set far into the future: it’s possible that the world we knew has been
destroyed for whatever terrible reason, and the regenerating human race hasn’t
progressed beyond another Medieval Age in its attempts to survive.
Which all adds to this
trilogy’s great appeal. ‘ Prince of
Thorns’ was a gripping read, but book two, ‘King of Thorns’ is even
better. Roll out book three! Mark Lawrence isn’t just a good storyteller –
he’s a great one. Whatever I read next,
this will be a hard act to follow.
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