LAST GREAT READS FOR AUGUST, 2014
The
Silkworm, by J. K. Rowling writing as Robert Galbraith
Ms Rowling is getting much better at writing about
Muggles. In the second book featuring
her private Detective Cormoran Strike and his winsome assistant Robin Ellacott,
(see review of ‘The Cuckoo’s Calling’ below) Rowling/Galbraith hooks the reader
in from the very first pages, and despite prose that from time to time is
better suited to fruity melodrama and a very
convoluted plot, she manages to sweep us all along into the bowels of her story
– and bowels play a big part, for a hapless character is deprived of his – to
very few people’s dismay.
Cormoran is still untidy, overweight and often
sleep-deprived, but since he solved the Landry murder, business is booming to
the extent that he can afford a minuscule flat above his office, and Robyn
at last has enough work to see her through the day – much to her jealous
boyfriend’s annoyance; he knows her
talents are wasted with Strike and he is furious because she won’t seek a
position more commensurate (read higher paying) with her efficiency. There is trouble in paradise! Made all the more difficult because wedding
invitations have been posted: they will
be man and wife in a matter of weeks, but Robin wants to do the unforgiveable
and invite Strike – how COULD she??
Effortlessly, that’s how. Robin admires her boss more than she can
say,( or is willing to admit) and she wants him at Her Big Day.
Enter Leonora Quine:
she has read of Cormoran’s feats and has decided that he will be the
ideal person to find out the whereabouts of her husband Owen, a writer who has
managed with no problem at all to alienate everyone, from his publisher to the
local grocer with his boorish behaviour:
he owes money everywhere, sleeps around and has produced next-to-nothing
since his first book. He is a One Hit
Wonder but has been trumpeting lately about his latest opus, guaranteed to shut
up all the doubters – yes, he’ll show ‘em, those bloody critics who panned his
great writing, pandering instead to other writers, his contemporaries who have
been unfairly advantaged over him:
favouritism, that’s all it is, favouritism!
Unfortunately, he has neglected to inform Leonora of
his plans or his whereabouts and she is frantic; apart from the fact that he left her without
money (as usual), they have a handicapped daughter who misses her daddy very
much. Strike MUST help – even though she
has no money to pay him.
Eventually, her husband is discovered in an
eviscerated state, ringed by dinner plates as if he were the main course in a
grisly meal.
The plot thickens thereafter at a headlong pace; Owen
Quine had so many enemies in the literary world that Strike doesn’t know who to
investigate first – much to the displeasure of the police, who warn him to stay
away: they know who the killer is so sod
off, Strike!
Once again Ms Rowling has constructed a labyrinthine
plot: the reader has to pay attention at
all times, but the rewards are great;
her characters, from Strike and Robyn to lesser players are enormously
engaging; no writer is more astutely
observant of the publishing world’s foibles than she, and how well she writes
of London, that great, dirty city and its diverse social strata. She has revealed more of Strike’s past, and
introduced new family members whom I hope will play a part in the next
book. And surely, surely, the tremulous admiration that Robin and Strike feel for
each other might grow into something more by Book Three? The boyfriend really is a jerk! Highly recommended.
The
Cuckoo’s Calling, by Robert Galbraith
(pseudonym
for J.K. Rowling)
Ms Rowling has been a busy girl, producing a new
novel within a year of her first foray into adult fiction, ‘The Casual
Vacancy’. I was disappointed in that
book but feel that this latest story has more meat on its bones, more to offer
the reader in plot and characterisation – and certainly more optimism than ‘The
Casual Vacancy’s’ singularly unpleasant storyline.
This time, despite a bewilderingly complicated
narrative of events and a tendency at times to lay on the drama with a trowel,
Ms Rowling has produced a very respectable thriller.
Cormoran Strike is the illegitimate son of a
SuperGroupie and a notoriously hedonistic Rock Star. The groupie died of an overdose, and Rocker
dad is famously disinterested in any of his progeny. Cormoran has had a predictably chaotic
childhood but distinguished himself when he entered the military police arm of
the Defence forces, winning a medal for saving lives in Afghanistan – and
losing a leg in the process.
Since his medical discharge from the Army, life has
been unkind to Cormoran: the business he
established as a Private Investigator is failing; he has been kicked out of the flat and the
life he had with his uppercrust girlfriend Charlotte; he owes money everywhere; he is overweight,
unfit, down and out – in short, he’s a big fat mess.
Enter Robin, newly engaged and working as a temp until
she gets a job befitting her formidable skills as a SuperP.A. She is sent by her agency to Cormoran’s
office for two weeks, only to wonder why she is there when it is patently clear
that Cormoran doesn’t have enough work – or means – to employ her; plus he’s camping in his office because he
can’t afford to stay anywhere else.
Until an expensive-looking lawyer visits the next day
to hire Cormoran’s services.
John Bristow is the adoptive brother of very famous
super model Lula Landry, whose suicide three months before caused huge amounts
of publicity world-wide – but Bristow refuses to believe that she killed
herself: she was murdered. He will pay whatever it costs to prove that
Lula would never take her own life; he
loved his little sister and he wants her killer brought to justice, and here is
a hefty advance to set everything in motion.
Things are looking up! Cormoran’s spirits rise with his bank
balance; there is now money in Petty
Cash for Private Eye and Temp to have Tea and bikkies whenever the mood takes
them, and an amazing change in his social status as Bristow arranges for him to
meet Lula’s former friends and associates.
From being on the bones of his proverbial one day, he is dining and
clubbing with the Beautiful People the next.
Ms Rowling writes well about the fashion world and
the seamy side of beauty. She has a
great ear for dialogue and idiom – even Orstrylian gets a mention! – and she is
very careful with her plotting. She does
tend to overwrite more than a little, though, one fine example being when
Cormoran finally reveals to the killer that The Game is Up: it takes sixteen pages, with the killer
snarling at strategic points ‘where is your proof?’ and ‘you’ll never prove a
thing!’ before finally lunging at our amputee hero with a knife, causing this
reader to shriek ‘and about flaming
time, too!’
Wouldn’t you know though that Cormoran has a trick or
two up his sleeve – not to mention a prosthesis next to his chair - and all works out well in the end, causing us
all to think that perhaps there might be another opus featuring Cormoran and
Robin, both endearing characters in their different ways.
I shall welcome it if that’s the case but have a tiny
request: Ms Rowling’s characters were
‘besuited’ and ‘bejeaned’ more than once ( I am presently betrackpanted as I
type) – could one hope that she finds a less irritating way in the next book to
describe what her characters are wearing?
(Just asking.)
Mistress,
by James Patterson and David Ellis.
This is a quickie review. I have never read anything by James Patterson
before, but he appears to be one of the most prolific writers in print, in
conjunction with various well known thriller writers. He (doubtless along with his colleagues) has
won more awards than one could shake a stick at and is so famous I feel ashamed
for owning that I haven’t gotten round to any of his books – until now. Sad to say, despite Mr Patterson’s stellar
reputation I don’t feel that I have deprived myself of anything of vital
literary importance: sorry, Mr
Patterson, but this stand-alone novel has not convinced me to pursue any
previous titles. Sad but true, the
reason being that you can only stretch the reader’s credulity so far: the plot MUST have some semblance of
veracity, particularly over the most basic facts: protagonist Benjamin Casper is anything but
convincing as he metamorphoses from neurosis-ridden victim and fugitive to
superhuman exemplar of right over might – what a guy!
And how indestructible. In very short order, Ben is pursued and
caught by a dizzying array of baddies, sustaining injuries that would have
felled many a lesser mortal – but hey;
whatever doesn’t kill you makes you strong, and by the end of this tale
Ben has turned into SuperDuperMan: he
also has developed supernatural powers of deduction, and thank goodness for
that, I say, because thick old me didn’t know what was going on until he gave
me a heads-up at various points along the way.
Even the good guys seem to be bad in this story,
though Russia is the main big BoogyMan, followed by China as a close second –
BUT.
In all fairness, the reason I continued with this
book is because of its badass wit (oh, how I love smart mouths!) and the
wonderful vein of trivia running like a gold seam through the story: Ben has many issues stemming from his chaotic
childhood, and the way he deals with his heartache is to think of various facts
triggered by a single word, i.e. did you know that President Roosevelt wrote to
Winston Churchill during the Second World War:
‘It is fun to be in the same decade with you’.
Well, did you know that? A?
A? Didja? The single word to start that train of
thought was ‘mystery’, (believe it or not) and that is apt, because at the end of the book I am
still mystified. Ben escapes a sticky
end (no-one else does) but doesn’t get the girl – another girl does: this is the 21st century, after
all. So much for my ‘quickie’ review, but you get
the idea.
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