LAST GREAT READS FOR APRIL, 2016
The Sword of Justice, by Leif G. W. Persson
The
absolute antithesis to the usual burnt-out but noble detective in thriller
fiction returns, much to every Swedish Noir readers’ delight: Detective Superintendent Evert Bäckström rears
his head again, corpulent, crafty and amoral as ever – and just as successful,
mainly because he is so expert at ‘making a bit on the side’ (what else is a
man to do to supplement the basic wage?), and manipulating every system to his
advantage.
He is
still not popular (see 2014 review below) with those lesser beings, his
colleagues; they know that every time he
says – nearly every day – that he has to attend an important meeting at Headquarters
in Stockholm he is really skyving off;
filling his fat little frame with expensive food and drink, then going
home to sleep the sleep of the just and/or avail himself of obliging female
company, thanks to his growing reputation as Sweden’s premier crime fighter. His colleagues will never take kindly to all
the orders and legwork he dispenses, particularly when his own dubious habits
and chronic laziness are well known:
yep, they’d love to see him fall flat on his smug face, preferably in
something nasty and foul-smelling, but will it ever happen?
Not
immediately, for Our Hero has received wonderful news: Thomas Eriksson, Sweden’s most crooked
defence lawyer has been found murdered at his home, along with his huge
Rotweiler. The police are hardly at a
loss to name suspects; there are so many
who want Eriksson dead that it will take considerable time to cross them off
their list of ‘people of interest to the investigation’ – which (naturally)
Bäckström is heading: as far as he is
concerned, someone has done Sweden an enormous favour ridding it of such vermin
– he is glad Eriksson is dead; still, it
is up to him (and his grumbling, mumbling team) to wield The Sword of Justice
and apprehend the killer.
Mr
Persson is a master of characterisation – he has created an anti-hero
absolutely unforgettable; portly,
gluttonous, an unashamed leaker of info to the newspapers (for a hefty
consideration) as the investigation continues, but a sharp little man
intelligent and shrewd enough to figure out every angle of what is fast
becoming a crime involving art fraud, the Swedish Mafia and – last but not
least – a trail that could lead to (surely not!) – the Swedish monarchy.
And let
us not forget Bäckström’s regrettable impulse buy: Isak the parrot, on his best behaviour in the
Pet Shop, only to turn into the Parrot from Hell when his new owner brought him
home. Isak plays a minor but important
role in proceedings, becoming in his own little way as memorable as his owner,
who trusts and prays that he will not meet the same fate.
Leif
Persson has produced yet another winner:
he effortlessly patrols Jo Nesbo country – with dark satire and
delicious humour. SIX STARS!
He Who Kills the Dragon, by Leif G. W. Persson
Detective
Superintendent Evert Bäckström, surely the most outrageous policeman in Swedish
thriller fiction, returns to shock and infuriate his long-suffering colleagues
– not to mention the reader – in Mr Persson’s latest offering.
Bäckström
has had some narrow escapes since ‘Linda – As in the Linda Murder’ which have
nothing to do with apprehending murderers;
rather, the long arm of the law has reached out to grab him (him, shining example of all that is
noble and honourable in the Force. The
nerve of them!) and it has taken all his resourcefulness to fend off charges of
bribery, corruption – you name it – thrown at him, the result being not
dismissal, as so many of his colleagues hoped, but exile for a year or two
following up traffic violations - for Bäckström has an influential relative in
the Police Association, so there! He is
not incorruptible (as everyone already knows), just immovable.
When the story opens, Our
Hero through various circumstances has been recalled to his usual duties,
investigating the murder of an elderly pensioner in a block of flats in
suburban Stockholm. He should be
delighted to be back on the job, delegating with his usual superb flair all the
work so that he ends up doing very little;
instead, he is in the depths of despair after a compulsory visit to the
Police Doctor who prescribes immediate weight-loss, lots of daily exercise and NO ALCOHOL – or
else.
Bäckström
is inconsolable. Life is shit. Eating lettuce leaves and drinking water is
no way to live for a man of his appetites;
he’s a gourmet, a connoisseur of strong drink and a fearless wielder of
his Super Salami with various lucky partners in the comfort of his Hästens
bed: if this is his future, he might as
well resign from life right now.
Until
God conveniently appears in a dream to Bäckström as he tossed and turned (on
his Hästens bed) on the third day of his travail and Lo! God tells him to forget about pursuing the
new path; the old path is his true path,
so get back on it. What else can
Bäckström do but obey? One doesn’t argue
with God!
After
a very satisfying meal of every food he loves and thought he’d never eat again,
followed by a couple of very good beers, Our Hero is ready to concentrate again
on his current murder investigation, and because he has a very good staff and a
truly excellent Russian civilian investigator, it isn’t long before what
everyone thought was the murder of an old pisshead by another old pisshead and
all done and dusted by the weekend, turns out to be something much more
challenging and complicated.
As before, Mr Persson gives us a wealth of detail, including
mini-biographies of all the minor characters, but there is less sermonising
than in ‘The Linda Murder.’ In this
story that is not so important, for the dreadful Bäckström is such a force of
nature and so outrageously entertaining that there is little room this time
round for polemics - and it is an added pleasure to discover that (when he does
it) he is actually very good at his job.
Much to the frustration of his superiors, most of whom detest him to a
greater or lesser degree, the ‘fat little bastard’ CAN solve serious crimes and
get results – whether they like it or not.
And Bäckström finds out that he who kills the dragon gets the princess –
and what a princess! He’s scared
stiff. FIVE STARS.
Riders, by Veronica Rossi Young
Adult
18-year-old Army recruit Gideon Blake dies whilst training to
be a part of the elite Ranger Regiment; on a training jump his main parachute fails to
open and he plunges thousands of feet to his death. He knows
he died; no-one could survive such a
fall, but here he is in hospital, nursing terrible injuries that will take
months of rehab – but as if that weren’t miraculous enough, his broken bones
seem to be healing at a crazily rapid rate, so quickly that he is discharged
early into his mother’s care. And that’s
when life gets really weird, for he now wears a bracelet that seems moulded to
his wrist, a bracelet made of an unknown red metal. He can’t remove it.
And Gideon seems to inspire aggression in people who had
hitherto regarded him with kindness and friendship; as he heals (ever more rapidly) he decides to
seek some kind of peace with his twin sister Anna, a college student in San
Francisco, only to find himself mentally influencing her to drop her
waste-of-space boyfriend (no loss there, he’s doing her a favour) and changing
the mood of a student party, especially as it seems to be infiltrated by a gang
of people so evil he is filled with a raging need to destroy them utterly: he will make WAR on them all!
Until Daryn, a mysterious girl appears at the same time,
dragging him away from doing just that, and appraising him of his new role in
life: he HAS died, but has been reborn
as one of the Four Horsemen of the Apocalypse, called up again to fight the
terrible scourge of evil that manifests itself now as The Kindred. Gideon is War, and he and Daryn must find
Conquest, Famine and Death as quickly as possible so that they can prevent the
Kindred from world domination.
Ms Rossi has written some breathtaking fantasy here with
nail-biting action on every page. Her
characterisations of the other Horsemen are as spectacular as they should be,
and their weapons and steeds deserve special mention, particularly Gideon’s Red
Horse, flames pulsing from mane to tail and the most terrifying thing he has
ever seen: how will he ever learn to
ride it when it wants to kill him if he even moves his eyeballs?
There is no shortage of smart, funny dialogue – Gideon is a
motor mouth supremo, especially in his exchanges with Death, who loathes him
sufficiently enough to try to cut him down with his scythe – often, but
eventually the Horsemen unite as they must to join the great battle of Good
versus Evil: may they triumph, but we
will have to wait for the sequel to find out.
FIVE STARS
No comments:
Post a Comment