Verses for the Dead, by Douglas Preston and Lincoln Child
Anyway.
Pendergast and Constance are back in New York, cosily
ensconced in his Riverside Drive Mansion, when he is called to Miami on a most
distressing case: a young woman has been
found dead, her heart cut out – and the same heart has been found on the
gravestone of a young woman who committed suicide. Also, Pendergast has a new boss in place of
his late superior, who always allowed him free reign to employ often
unconventional – and sometimes fatal – means to solve the many cases for which
he is famous: Assistant Director Pickett
has no such intentions – it’s time Pendergast’s rogue behaviour and lack of
discipline was curtailed. The sooner he
is exiled to a desk job in Utah, the better.
To that end, Pendergast is given a partner of Pickett’s
choosing, Agent Coldmoon, a rising, ambitious young star who will solve this
awful crime and expose Pendergast for cutter-of-corners and lamentable
rule-breaker that he is: Coldmoon will
report everything to Pickett; the FBI
will shine and Pendergast will be out the door.
But that doesn’t happen:
Three more young women are killed by the same horrible method, their
hearts left on the tombs of three suicides, and it is patently clear that only
Pendergast has the expertise and foresight to plumb the depths of the sick mind
behind these crimes. As always, our hero
wears his usual garb in spite of the Florida humidity: a series of black designer suits of finest
wool, equipped with multiple pockets in which to secrete plastic bags of clues
that he gathers at the crime scenes. He
invariably resembles a very rich undertaker.
He does change at night, though, into a white suit of finest linen,
accompanied by hand-made loafers. He is
a polymath par excellence, and Coldmoon has never
met anyone like Pendergast, ever; eventually,
he is so impressed with his unconventional partner that he defies his boss,
offering to go to Utah too, rather than betray Pendergast.
And what of the killer, and who done what? The big reveal is made in true Preston and
Child fashion; an entirely unsuspected
villain is unmasked, snakes and alligators feature in large numbers, and
Special Agent Pendergast, covered with gory glory (as usual) is free to return
to his Constance. Great fun! FIVE STARS
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