Cloud Cuckoo Land, by Anthony Doerr.
Pulitzer Prize-winning author
Anthony Doerr has long been a master of the literary magic that engages us,
thrills us, and compels us to keep reading until the story is finished. Now he has excelled himself: after the wonder of ‘All the Light We Cannot
See’, he has again proven his mastery
with a tribute in praise of The Story, the tales that keep us reading, and searching for more when the tale is
finished.
It’s not immediately clear where we
are being directed by Doerr in this sometimes confusing travel through time, starting
two hundred years in the future on a spaceship voyaging to a new unpolluted
planet after Earth becomes uninhabitable – not every traveller expects to
arrive in their lifetime, but Konstance, barely a teenager, has high hopes that
she and her beloved father will arrive safely.
She hopes.
Back to 2020: Octagenerian Zino Ninis is rehearsing five
children in a local Idaho library to perform a play he has written based on an
ancient Greek legend by Antonius Diogenes about Aethon, a simple shepherd who
longs to fly, to be an owl, to live in Cloud Cuckoo Land, where rivers flow
with wine (Aethon likes his wine!), and turtles plod by with honey cakes on
their backs – in short, Paradise. Zino
and his five ‘actors’ are presenting their play For One Night Only, and tonight
is the dress Rehearsal. Sadly, they haven’t anticipated the arrival of Seymour,
a severely disturbed and angry young teenager with a pistol and a home-made
bomb.
Then there is a dizzying shift in
time to the Siege of Constantinople by the Ottomans in 1453: Anna, a young Greek orphan who needs money
for her sick sister, chances across (steals) an ancient text from an abandoned
monastery; she sells as many of these
precious papyri as she can before her Italian customers flee the besieged city,
but keeps one codex – the story of Aethon, and his efforts to reach Cloud
Cuckoo Land.
We learn more about Zino Ninis, too
– a solitary man who was unable to acknowledge his true self, even to the man
whom he most loved when it most counted, but who redeemed himself with a great
act of heroism, an act which saves his child actors – and his translation of
Aethon’s adventures in his efforts to get to Cloud Cuckoo Land.
Until just before the end of this
wonderful story, it wasn’t clear to me how all the different times would join
up; each section and its engaging
characters seemed to be separate stories within The Story, but the link is
Diogenes’s simple shepherd who, after various disguises and frightening
adventures decides that he’d like to go home now, thanks. Fair enough!
Konstance from the future has the
last chapter in this wonderful tribute to the written word: she uncovers shocking truths, helped by clues
furnished by a man whom society has justly rejected and, thanks to him, she
manages to escape, to live a productive life.
Anthony Doerr asks all the big questions of us here – and provides many
of the answers. What a journey! SIX STARS.
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